Editing to manipulate the audience is typically attributed to Russian Soviet Montage films, a type of expressionist film. the iris close-up shot of “Dr Smith Goat Gland Specialist Sign” directs the audience to focus on a specific place in the frame. This makes the film lean more to the realist side.
the sets for this film are very realistic, as are the props and costumes. This is an example of expressionism, as editing is used to manipulate the audience (a typical technique of Russian Soviet montage) into focusing on something specific. when the man hands Buster the address of his new home, there is a close-up of the card. the shot where the man and his family are loading their wares onto the back of the trailer is an extended wide take, using deep focus and natural lighting this shot is a perfect example of realist filmmaking, as the audience is able to decide where they want to focus.
This is an example of Russian Soviet Montage, a form of expressionism. when the shady man across the road is looking at Buster, the Kuleshov effect is used to show the man’s intentions as the shot is intercut with shots of Buster handling his money. The idea of imprisonment could also foreshadow Buster’s run in with the police later on. The next shot shows he is just standing behind a gate the use of camera tricks to manipulate the audience’s interpretation of the film is an expressionist technique which Andre Bazin was strongly against. But other than that it involved some of the funniest stunts and wacky moments of any other Keaton film, although the ending was very sudden and the plot was almost too unbelievable at times.-in the first shot, Buster appears as if he is in jail, as he is behind metal bars. I personally enjoyed Cops a lot! It did escalate extremely quickly and ended up being quite jarring with the pace and lack of buildup to the absolute calamity that was the climax. They reflect the industrial advancement of America at the time, and follows an innocent but chaos-creating man who the audience can sympathise with in his struggles. The film is not expressionist either though, only using impossible stunts and structures to achieve comedy, as Keatons other films of the 20’s did.
#BUSTER KEATON COPS FULL#
The film is similar to Keaton’s other films of the 1920’s, except Cops involves more outrageous and unbelievable scenes, such as Keaton outrunning hundreds of cops or catching a bomb and using it to light his cigarette while riding a cart full of stolen furniture, in the middle of a police parade! The film suspends realism to a large extent, featuring impossible stunts and scenarios that escalate into outright chaos, as his films often did, involving physical stunts to achieve comedy and reflecting the belief that cops were unnecessary at the time, including one aspect of realism.
#BUSTER KEATON COPS SERIES#
Here, Buster stokes the anger of an entire city’s police force, after a series of laughable events, and ends up outrunning them through some unique and crafty escape routes. Cops was written and directed by Buster Keaton in 1922, and follows the usual clueless and naive Keaton character getting into insane scenarios.
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